联络及申请加入邮件组 contact and join mailing list: subjam@gmail.com

关于 about

撒把芥末是一个实验艺术组织。它主要从事音乐和声音的活动策划和出版，也涉及诗歌，视觉艺术和其他顺手的形式。
由颜峻创办于2001年。下设观音唱片，其前身是铁托唱片。目前主要由颜峻，阮千瑞和马加负责。

十多年来，它一直在尝试界定自己和发明自己。
与其说它是一个生命体，不如说它是一个变化中的生态系统的一部分。
它是一群人的生活实验，试图和现实发生联系，试图激活生命。

Sub Jam is an experimental art organization. mainly it publish and curate event for music and sound. also involve to poetry, visual art and other materials in hands.
founded by Yan Jun in 2001. Kwanyin Records (predecessor: Sub Jam Records aka Tie Tuo) is its publish label. now run by Yan Jun, Ruan Qianrui and Ma Jia.

in the past and present (and future), it’s tring to define itself and invent itself.
it is a part of a continuously changing ecosystem, rather than an individual living organism.
it is experiments for life of a group of people. they are trying to build relationship with Real. and trying to activate being.

大事记 Chronicle

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一些旧事 odd older stories

1999
“灵魂风暴”（王凡第一次公演），兰州。

1994
“带我去天堂好吗”（残响、王凡等），兰州。

1997
颜峻、朱振乾（霍乱乐队）在兰州合开了乌鸦音乐专门店。很快倒闭。
颜峻、老咪（残响乐队）、杨杨（残响乐队）、关天开始以“乌鸦音乐”的名义策划本地摇滚乐演出。

1998
颜峻在兰州策划了“98新音乐之春”，这个聚集了各地地下乐队的演出最终流产，只留下一本全面介绍非北京地下摇滚的小册子——SUB JAM。

1999
颜峻开始用Sub Jam做笔名发表一些乐评；
参与制作大友良英（Otomo Yoshihide）和松原幸子（Sachiko M）北京音乐会；
开始策划舌头、苍蝇、NO、解散、挂在盒子上、诱导社等乐队的演出。

2000
颜峻以Sub Jam或者自己的名字，独立或联合策划The Ruins（日本）、王凡等艺人的演出；
参与The Orb中国巡演的制作；
和DJ Weng Weng、李劲松一起策划了“36小时锐舞派对”等一系列club party；
发起和起草《树村声明》；
……

1999
“Storm within Soul” (debut of Wang Fan), Lanzhou.

1994
“Bring Me To Heaven, Please” (The Reverb, Wang Fan and more), Lanzhou.

1997
Yan Jun and Zhu Zhenqian (Cholera) opened a music shop called “crow” in Lunzhou, which gone out of business soon. Yan Jun, Lao Mi (Reverb), Yangyang (Reverb) and Guan Tian started to organize local rock gigs under the name of “Crow Music”.

1998
Yan Jun curated a concert named “Spring of New Music, 1998″ in Lanzhou, which meant to gather underground bands all over the country，however came to abortion in the end, only left a booklet comprehensively introduced non-Beijing underground rock bands—SUB JAM.

1999
Yan Jun started to use Sub Jam as a pen name to release music reviews;
participated in the production of Otomo Yoshihide and Sachiko M Beijing concerts;
curated and organized performances for bands including Tongue, Fly, NO, Dismiss, Hang On The Box and Lure.

2000
either with the name of Sub Jam or his own, Yan Jun organized or co-organized performances of musicians including The Ruins (Japan), Wang Fan, etc.;
participated in the production of The Orb China Tour, organized a series of parties including “The 36 Hours Ecstasy Party” with DJ Weng Weng and Li Chin Sung;
originated and drafted the “Shu Cun Statement”;
…

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2001

Sub Jam 铁托工作室成立。方无行设计了logo。王凡给它起了“撒把芥末”的名字；
颜峻乐评集《内心的噪音》出版，附送的CD合辑编号是sub jam 001；
随后出版了舌头，PK14，脑浊，王凡等乐队和乐手的专辑；
Sub Jam 铁托工作室的活动，是在地下音乐、独立电影和新文学领域，进行出版、传播、策划和活动组织；
……

Sub Jam (Tie Tuo) studio was founded. Fang Wuxing designed the logo. Wang Fan gave its Chinese name “Sa Ba Jie Mo” (add some mustard);
The collection of music critics written by Yan Jun “Noises Inside” came out, the catalogue number of the CD went with it was sub jam 001;
afterward released albums for The Tongue, PK14, Brain Failure, Wang Fan, etc.;
The activities of Sub Jam involved publication, dissemination, curating and organization in the fields of underground music, independent films and new literature;
…

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2002

www.subjam.org 开通；
开始发送sub event邮件组，它是当时惟一的北京地区独立文艺活动预告邮件组；
Sub Jam铁托工作室参与策划了北大诗歌节、迷笛音乐节、澳门“大陆新影像”影展、中戏“国际电影教学观摩周”、“诗人的发声”广州诗歌朗诵会、灰野敬二（Keiji Haino）和吉田达也（Yoshida Tatsuya）北京音乐会、康赫《斯巴达》朗诵会等活动；
策划了田富雅人（Masato Tadomi）、FM3、左小祖咒、舌头等艺人的演出；
……

The website www.subjam.org and mail group “Sub Event” opened to service. “Sub Event” was the only mail group that send advance notification of the independent culture events in Beijing then;
Sub Jam participated in the curating of Peking University Poetry Festival, Midi Music Festival, “New Film of Mainland China”” in Macao, International Film Week held by the Central Academy of Drama, “Poet Sound” Contemporary Chinese Poem Recitation in Guangzhou, Keiji Haino and Yoshida Tatsuya Beijing Concerts, Kang He’s “Sparta” recitation;
organized concerts of Masato Tadomi, FM3, Zuoxiao Zuzhou, Tongue and more;
…

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2003

制作《达摩流浪者》；
参与制作北京声纳国际电子音乐节；
和FM3、王凡、武权一起策划了北大诗歌节“不可能”诗歌朗诵会、“水煮黄昏”和“十夜谈”系列，它成为日常生活、人造音景和实验音乐融合的开始；
……

Produced “The Dharma Bums”;
involved in the production of Sounding Beijing International Electronic Music Festival;
with Wang Fan, FM3 and Wu Quan, curated “Impossible” poetry recitation of Peking University Poetry Festival; “Boiling Dusk” and “Ten Nights Discussion” series，which became the beginning of the merge of everyday life, artificial soundscape and experimental music;
…

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2004

参与策划第一届大山子国际艺术节（DIAF）；
颜峻、FM3、武权成立新的唱片厂牌：观音唱片，年底，第一批出品问世，包括718、张荐、武权、另外两位同志＋颜峻＋顶楼的马戏团等艺人的作品；
同时Sub Jam也发表了718、Aitar、另外两位同志＋颜峻等艺人的作品，此后Sub Jam不再作为唱片厂牌存在；
白糖罐在愚公移山策划了“撒把芥末联欢会”；
……

Involved in the production of 1st DIAF (The Dashanzi International Art Festival);
Yan Jun, FM3 and Wu Quan established a new record label: KwanYin Records; at the end of the year, the first batch of productions came out, including the works by 718, Zhang Jian, Wu Quan, The Other Two Comrades + Yan Jun + Top Floor Circus;
Meanwhile Sub Jam released the works by 718, Aitar and The Other Two Comrades + Yan Jun. Sub Jam no longer exists as a record label;
Sugar Jar curated “Sub Jam party” at Club Yugong Yishan;
…

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2005

颜峻、FM3、武权、王凡创办水陆观音（每周二在两个好朋友酒吧举办的免费实验声音活动）；
创办Mini Midi音乐节（迷笛音乐节实验小舞台）；
参与策划英国大使馆文化教育处主办的“都市发声”（Sound And The City）；
大山子国际艺术节（DIAF）；
参与制作中国发电站群展·唤醒巴特西（伦敦－卢森堡－北京）；
策划“最电子”音乐节（厦门）；
策划No Beijing音乐会（哪吒、Car-sick Cars、后海大鲨鱼Queen Sea Big Shark、Snapline）；
……

Yan Jun, FM3, Wu Quan and Wang Fan Started Waterland Kwanyin (a free event series for sound art and impro/experimental music in Beijing on every Tuseday at 2Kolegas Bar);
started Mini Midi (2nd stage of 6th Midi festival);
involved in the curating of “Sound And The City” held by Cultural and Education Section of the British Embassy China;
2nd DIAF;
involved in the production of “Awakening Battersea, China Power Station”（London－Luxembourg－Beijing);
curated “Most E Electronic Sound and Music Festival” (Xiamen);
curated No Beijing concert (Na Cha, Car-sick Cars, Queen Sea Big Shark and Snapline);
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2006

大山子国际艺术节（DIAF）；
水陆观音；
Mini Midi音乐节；
策划艺术北京博览会户外声音表演；
合作策划Alvin Curran和Elliott Sharp北京音乐会；
为D22酒吧策划实验音乐活动“壹家One Plus”；
为东岸爵士咖啡策划实验音乐活动“前海观音”；
策划Zbigniew Karkowski + 李劲松中国巡演北京站；
策划日本新音乐节（吉田达也 Yoshida Tatsuya + 津山笃 Tsuyama Atsushi + 河端一 Kawabata Makoto）北京站；
……

3rd Dashanzi International Art Festival (DIAF);
Waterland Kwanyin;
Mini Midi 2006;
curated the outdoor sound art performances of Art Beijing Exposition;
co-curated Alvin Curran Beijing concerts and Elliott Sharp Beijing concerts;
curated impro/experimental music performances series “One Plus” at D22;
curated electronic/experimental music performances series “Qianhai Guanyin” at East Shore Jazz Cafe;
curated Beijing concerts of Zbigniew Karkowski + Li Chin Sung China tour;
curated Beijing concerts of Japanese New Music Festival (Yoshida Tatsuya + Tsuyama Atsushi + Kawabata Makoto);
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2007

当代国际艺术节（DIAF）；
水陆观音；
前海观音；
Mini Midi 音乐节；
大声展“咖喱秀”和“听游记”；
和德国即兴音乐组织 Frischzelle合作，在中德两国举办一系列交流活动。
……

4th DIAF (Dangdai International Art Festival);
Waterland Kwanyin;
Qianhai Guanyin;
Mini Midi 2007;
Get It Louder (Home Show and Moving Soundscape);
co-operated with German improvised music organization Frischzelle and held a series of communication activities in both China and Germany.
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2008

水陆观音；
Mini Midi 音乐节；
“好听”贴纸和T恤和“计划声音委员会”；
海尔默·谢弗《作为语言的噪音》出版；
焚琴煮鹤声音诗活动（蓬蒿剧场）；
……

Waterland Kwanyin;
Mini Midi 2008;
“Hao Ting” sticker and T-shirt and Sound Planning Committee；
Helmut Schäfer’s Noise As A Language release;
Fen Qin Zhu He sound poetry event at Penghao Theater;
…

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2009

水陆观音；
台北现在诗小字报撒把芥末印章诗集；
大友良英，Sachiko M，FEN (Fareast Network) 北京上海音乐会；
“忘了”T恤；
上海奥沙画廊“艺术新经济”展览；
小河策划的卡拉OK大奖赛；
撒把芥末即兴音乐会：两个好朋友，蓬蒿剧场，美树馆；
兹比格涅夫·卡科夫斯基北京音乐会；
卡尔·斯通，闵小芬，田中悠美子北京音乐会；
……

Waterland Kwanyin;
Sub Jam stamp poetry collaborated with Poetry Now Taipei;
Otomo Yoshihide, Sachiko M and FEN (Fareast Network) Beijing and Shanghai cocnerts;
“Forgotten” T-shirt;
Osage Shanghai “Art Economies beyond Pattern Recognition” exhibition;
Karaoke competition curated by Xiao He;
Sub Jam impro concert: 2Kolegas Bar, Penghao Theater, Meishuguan;
Zbigniew Karkowski Beijing concert;
Carl Stone, Min Xiaofen and Yumioko Tanaka in Beijing;
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2010

最后一期水陆观音，167期：1月19日；
尤伦斯艺术中心，每月一次的撒把芥末音乐会；
张荐的收音机盒子出版；
一个写作实验：密集博客，一个电台实验：“敌台”；一个演出实验：撒把芥末小型音乐会；
策划撒丽不跳舞音乐节；
Mini Midi 音乐节在朱家角，上海，苏州，合肥，厦门，泉州，福州；
米兰国际设计周2010“SuperNatual”展览；
开始迷你观音出版项目：相同包装的小批量 CDR；
……

the last Waterland Kwanyin, number 167th: January 19th;
UCCA Sub Jam concert, once a month;
release of FM3Zhang’s radio box;
a collective writing experiment:Miji blog; a collective radio experiment: Radio Enemy; a concert experiment: Sub Jam mini concert;
curating Sally Can’t Dance festival 2010;
Mini Midi 2010 in Zhujiajiao, Shanghai, Suzhou, Hefei, Xiamen, Quanzhou, Fuzhou;
SuperNatual exhibition, Milan Design Week 2010;
start Mini Kwanyin publishing series: limited copies of CDR in same package design;
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2011

“第三方”展览，北京，站台中国；
“本地密语 1”展览，伦敦，V&A 美术馆；
“本地密语 2 半只兔子”展览，北京，站台中国；
阮千瑞《毁烬蓝图》出版；
8月起，重新开始策划演出，每月一次：密集音乐会；
……

Third Party exhibition, Platform China, Beijing;
Local Whisper 1 exhibition, V & A Museum, London;
Local Whisper 2 Half Rabbit exhibition, Platform China, Beijing;
Ruan Qianrui’s Burned Blue Print published;
return to concert organize from August: Miji Concert, once a month;
…