8月25日 周二 20:00
地点: 北京 朝阳区 汽车电影院，两个好朋友酒吧

INTER-FACE
對。面

Jointly presented by Lona Records, Re-Records & Sub Jam

演出內容:
兩個人。一個木盒。四十八個金屬接觸點。這是INTER-FACE的基本設想。

木盒是由美國電音樂器藝術家Arius Blaze及Ben Houston以Folktek名義設計及全人手製造的Harmonic Field。沒有鍵盤。沒有弦線。只有四十八個金屬接觸點。演奏者要以自己的身體作為電路的一部份去演奏。

每次INTER-FACE中，香港聲音藝術家Sin:Ned將會邀請不同的藝術家，共同即興演奏Harmonic Field。面對面。以這奇特的演奏介面。

而是次乃INTER-FACE系列之北京首演。

是次INTER-FACE首演，顏峻應邀與Sin:Ned合奏Harmonic Field。此外，還有電聲二人組No One Pulse，KWC及Vavabond二重奏，以及Alok和Jackson Garland的壓陣演出。

Performance Description:
Two people. One wooden box. Forty-eight metal contact points. This is the basic idea of INTRE-FACE.

The wooden box is called Harmonic Field. It is designed and handmade by American sound art device artists, Arius Blaze and Ben Houston of Folktek. No keyboard. No strings. Only forty-eight metal contact points. The performer is required to use his/her body as part of the circuitry to generate sounds.

In each of the INTER-FACE performance, Hong Kong sound artist Sin:Ned will invite different artist to play the Harmonic Field with him. Face to face. With such unique instrumental interface.

Here in Beijing, we have the debut performance of INTRE-FACE.

In this debut performance, Yan Jun is invited to play the Harmonic Field with Sin:Ned. With electro-acoustic duo No One Pulse as opening act, Alok and KWC will pair with guest artists Jackson Garland and Vavabond for a duet improvisation.

演出藝術家Performing Artists:
Opening: No One Pulse
KWC + Vavabond
Sin:Ned + Yan Jun (on Harmonic Field)
Alok + Jackson Garland

藝術家簡介Artists Bio

Alok
Alok ，實驗音樂廠牌Lona Records 的創辦人，自1996年起已活躍於香港獨立音樂圈。 2001年起，他以個人身份繼續拓展其音樂領域，先後出版了5張大碟和4張三吋唱片及將出版 <MSN Warning>）。自 2005年底，他專注於 Lona Records 的發展，積極發展實驗／另類音樂的製作及推廣發行。另外被邀請參與德國Electronica Artist Phon°noir 的remix大碟<Counting Raindrops: The Remixes>。

Alok 曾參與現場演出無數，包括 Hong Kong international film festival closing party (2002) 、Rockit festival (2004) 、 Mondialito Live in Hong Kong (2005) 、 AGF Live in Hong Kong (2005) 、Take off Your Headphone & Turn to 10 (2007), Get It Louder 大聲展(2007) Ritual For The Ghost (2007), Emmanuel Mieville Live in Hong Kong (2007), HK Live (2007), G-Imgineering Along Desire Lines 放逐慾望縱橫線 (2008), Central Subconsciousness 音景中環 (2008), Sounds, Light and Memory (2008), Enter The Night•Exit The Light (2009)和 Red / Red_Shift: A Sound Exhibition & Perfromance For The Red Compilation in HK / Shenzhen (2009)… 等。

Alok, a self-taught guitarist and bassist, formed his first band Pillow early in 1996. After they disbanded in mid 98, he formed Slow Tech Riddim with Kim, when they started combining electronic music with live instruments. Together they had published two albums and contributed in numerous compilation releases. Since 2001, Alok appeared as a solo artist. He published the first 3″ mini album with The Pancakes in 2001. In 2002, he set up his own record label Lona Records, and started working as a producer. From the end of 2002 to 2006, he released three albums and a few 3″ CD singles.

KWC
設計之餘，KWC大部份時間都以他的非傳统樂器及流動器材剪聲製樂。除了個人創作外，他亦是No One Pulse及iii之成員。
製樂之餘，KWC以Sleepatwork之名義從事設計及策展藝項目。

While not designing, KWC spends time cutting loops and recording with his non-standard portable devices, he’s 1/2 of the electro-acoustic improvisation duo No One Pulse, and 1/3 of the laptop trio iii.
While not making sounds, KWC spends time designing under the alias of Sleepatwork and occasionally curating art projects as well.

No One Pulse
黃仲輝與巢健威組成的實驗電聲二人組。

兩人首次合作於網路項目《60 Seconds》。於2003香港視野音樂節，黃仲輝再度參與由巢健威策劃之多媒體現場演出《Media Jam – Survival Kit》。2006年，兩人開始研究一種包含即興演奏、反傳統發聲方法、高隨機元素及極微電聲的演奏系統。No One Pulse的二步曲實驗電音專輯《Tele》及《Pathic》，分別發表於香港的Lona Records及中國的Little Sound。

An experimental electro-acoustic duo formed by Wong Chung-fai (Sin:Ned) and Chau Kin-wai (KWC) from Hong Kong.
Their collaboration first started in 2003 for the audio/visual internet project “60 seconds” and participated in the multi-media live event “Media Jam” for Hong Kong Sound & Vision Festival in 2003.
The two formed as No One Pulse in 2006, exploring the concept of free improvisation and the world of free-from electronics that embraces randomness, chaotic structure, and microsound methodology by means of non-musical instrument and devices.

Sin:Ned
Sin:Ned (黃仲輝)，樂評人、實驗電音及聲音藝術創作人。 Sin:Ned 最早出現於香港另類音樂雜誌 MCB (音樂殖民地)，擅長以實驗性文體及偏險的理論化角度進行音樂論述。 同時沉迷及專門鑽研逆向性的實驗聲音創作，和反傳統的發聲技巧。所指涉的範疇包括即興演奏、聲音藝術、實驗音樂、噪音藝術及田野錄音。曾參與及出演過《香港視野音樂節》、《大聲展》、《深圳香港城市\建築双城双年展等藝術展》等項目。他的首兩張個人作品《Uroborus: A Study On No-input Device》 及 《60 Seconds: A Schizophrenic Manual For Eternity》，均於2006年發表於Lona Records名下。他不但是概念電聲學二人組No One Pulse及筆記本電腦三人組iii的成員，同時亦是實驗音樂廠牌Re-Records的創辦人之一。

An idiosyncratic writer and a sonic artist from Hong Kong, who hacks and twists anything he can put his hands on. Used to be one of the major contributing writers of the legendary Hong Kong alternative music magazine MCB. While not writing as a pseudo-music critic elaborating his esoteric worldview, in the same idiosyncratic fashion, he spends much of his time hacking and sculpting sonic materials with his laptop and various electronic gears.
His interest ranges widely from improvisation, sound art, experimental music, and noise art to field recordings, and had taken part and performed in various festivals and exhibitions such as HK Sound and Vision Festival (2003), Get It Louder (2007), Hong Kong & Shenzhen Biennale of Urbanism/Architecture (2008). His first two solo works, “Uroborus: A Study On No-input Device” and “60 Seconds: A Schizophrenic Manual for Eternity”, were both released by Lona Records in 2006. He is also one half of the electro-acoustic concept duo No One Pulse, member of the laptop trio iii and founding member of the imprint Re-Records.