1，Kaspar Konig（荷兰）
2，沈静（北京/伦敦）
3，Unique Oil Free Air（澳大利亚）
4，大家玩Kaspar Konig的电路改装设备

1,   Kaspar Konig (NL)
2,   Shenggy (Beijing/London)
3,   Unique Oil Free Air (AU)
4,   audience and artists can plug and play (and artist talk)

Kaspar Konig (NL)
With the sound of the use of daily objects, Kaspar Konig tweaks, bends and changes the daily (auditive) habits. He uses the recorded results in performances, concerts and contemporary dance music. For instance, he’ll play the electric razor that turned into a sound shaver which effects the feedback or will play one of his modified soundbicycles.
In the circuit bending workshop he inspires participants to open the box of the machines, mainly to discover the enormous world of the shielded short-circuit. The objects have the tendency to become alive and the he prefers to leave them that way!
His performances take place in Berlin, Zürich, Barcelona, Maastricht and Athens where he
composed for several danceperformances and theater pieces in small and independent
theaters, galleries and concertspaces.
For more information and listening samples you can visit the website
www.kasparkoenig.com

http://myspace.com/kasparkoenig

卡斯帕尔•昆尼悉
卡斯帕尔•昆尼悉利用日常用品的声音属性，去改造、转变日常聆听的习惯。他以此进行表演，也为当代舞蹈做配乐。举例来说，他会用能够产生反馈的电动剃须刀表演，也可能用他自造的声音自行车表演。
在电路工作坊中，他鼓励参与者打开机器的外壳，探索被隔绝的短路世界。这些电器因此被赋予生命，而他很乐意就这样由它们去！
他曾经在柏林、苏黎世、巴塞罗那、马斯特立赫特和雅典表演，在雅典，他为一些舞蹈、独立戏剧、画廊和音乐厅作曲。
最近他在北京中央美术学院教学生制作声音自行车。这一天也是他离开前的告别聚会。
www.kasparkoenig.com

http://myspace.com/kasparkoenig

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沈静
沈静是北京新一代前卫音乐的代表人物之一。她的音乐生涯开始于1998年，16岁，从那时到2006年8月，她一直担任挂在盒子上乐队的鼓手。 2003 年，她开始着迷于前卫/噪音，很快，鼓不再足够使她安静，来自Autobahn（Kraftwerk）的重复脉冲催眠了她的摇滚乐心脏，这是一条不能回头 的路……
作为沈静独特的成长背景，她父亲为中国政府的太空计划工作，她因此深受“宇宙”影响，在她很小的时候就梦想成为第一个登上月球的女性。后来，所有这些信息都成为她内心的一部分，她探索宇宙的声音，以及所有宇宙和声音的关系。
2006年2月，她和Carsick Cars乐队的守望组建了一个新组合，White，目标是发展一种来源于Einsturzende Neubauten、Throbbing Gristle、日本噪音艺术家、John Cage、Steve Reich、电子极简派以及中国传统古筝大师的宇宙工业与噪音之声。这一年，他们成功地与来自纽约的前卫音乐传奇人物Elliott Sharp合作，与Einsturzende Neubauten的主脑Blixa Bargeld合作。目前，沈静也作为个人，用人声、Korg MS-20合成器和采样来创造她自己的声音世界。随后，她又加入了乐评人、声音艺术家颜峻组建的开放即兴团体铁观音。
关于她目前的工作和艺术发展，她说：Sun Ra曾经说过，一个音乐家的灵魂应该被欢乐和自由照亮。这就是我希望从我的作品中放射出来的精神。独立于所有事物的自由，对我非常重要。为了独立，要有强 大的人格，我认为对创造有意义的艺术来说这是必需的，我认为独立是一种控制与考验你自己的无畏的能力。人们怎样看待我或者我所做的事情并不重要，它只和自 我实现有关，它本身就是一项耐力测试。对我来说，用这种方式完成一件事情，要比一觉醒来拥有魔力更让我满足。真正的启迪，是艰苦的工作。它要求勇敢和果 断，而最终的报偿就是被世界遗弃，在你自己的道路上自由宁静地漂移。我的作品就是这种持续斗争的产物。它是我前往宇宙孤寂幸福的旅程的声音。
Shenggy
Beijing’s Shenggy is one of the new generation of avant-garde representatives in China and also the first and only female harsh noise player from the country. She has also set up her self-titled label for the female noise and avant-garde ladies in the world.
biography
She started her music career in 1998 as a drummer when she was 16 years old, but after a revelatory, watershed year in 2003, her work began to demonstrate increasingly noticeable avant-garde / noise tendencies. Suddenly the drum kit was no longer enough: static and silence hypnotised her heart and she has never looked back.
Her father works for the Chinese government’s space programme so she grew up in the middle of Beijing’s astronomic and scientific community; as such she was inflienced by dreams of the cosmos since she was a young girl with an ambition to become the first woman on the moon; that dream still stands, but now she wants not only to land on the moon, but to play her music there too.
In February 2006 she formed a new unit, White, with Xiao Wang of Carsick Cars, with the aim of developing a form of cosmic industrialism and noise that makes reference to everything from the phase patterns of Steve Reich, Einsturzende Neubauten, Throbbing Gristle, Japanese noise artists, John Cage and the gu zheng masters of Chinese classical music.
This year has seen, too, successful collaborations with visiting New York avant-garde legend Elliott Sharp, Branca collaborator John Myers, electronic pioneer Alvin Curran, and Einsturzende Neubauten’s leader Blixa Bargeld.
She is also currently working on a solo performance art project that is focused on creating sonic universes with only her voice, Korg MS-20 synth, tape recorder, and a handful of samples.
philosophy
Sun Ra once said that a musician’s soul should be lit by happiness and freedom. This is the spirit I hope radiates from my work. Freedom independence from all things is very important to me. It takes a really strong person to be independent, and I see this as necessary for creating meaningful art. It works the other way, too, in that the process of creation is liberating in itself.
I see independence as a kind of ability to control and examine yourself without flinching. What people think of me and what I do is not important.
It all about self-realisation, which itself is a kind of endurance test. To me, achieving something in this way is far more satisfying than to have woken up one day with a magical talent. True enlightenment is hard work. It requires bravery and determination, but the ultimate reward is to be discarded by the world, left in peace to float freely along your own path.
My work is the product of this continuing struggle. It is the sound of my journey towards the lonely bliss of the cosmos.
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Unique Oil Free Air
a solo harsh noise artist from Austalia.
his act has involved tapes or cassettes played through effects and a small mixer to create harsh noise.
he has played gigs in brisbane, newcastle, sydney, melbourne, and new zealand (as part of noise group Sun Of The Seventh Sister).
www.myspace.com/uniqueoilfreeair
Unique Oil Free Air
一位来自澳大利亚的噪音艺术家。
他使用磁带（开盘带和家用磁带）、效果器和小型调音台来制作粗噪音。
他曾经在澳大利亚的布里斯班、纽卡斯尔、悉尼、墨尔本以及新西兰（作为噪音乐队“Sun Of The Seventh Sister”的成员）表演。
www.myspace.com/uniqueoilfreeair